LionEyes

LionEyes is a rebranding of independent curatorial work, writing, amplification of artists, and social actions for positive change. Recent actions: Soft Power at Junior High LA, January 2024 and at the June 6, 2023 rally to protect trans and queer youth in Glendale Unified School District. Curation: Parasocial at Other Places Art Fair.

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LionEyes, est. 2021

Parasocial at Other Places Art Fair, 2021

After over a year of living through a global pandemic, parasocial relationships have taken on new intensity and significance. A term coined in 1956, parasocial interaction (psi) describes a psychological, primarily one-way relationship between audience and performer wherein viewers, listeners, or readers form attachments to performers in mass media. Most often a non-reciprocal relationship, social media has heightened parasocial interaction and blurred the boundaries of such relationships through exchanges with consumers. Influencers and producers of entertainment and culture may employ carefully cultivated for-profit personas to further their brands. The parasocial relationship seemingly draws upon human susceptibility to dominance, an unconscious longing for faith, leadership, or straight-up authoritarianism via cult of personality. 

While some interactions veer into the predatory, parasocial relationships can also be positive tools for exposing and eradicating biases, be spiritually uplifting, or possibly involve interaction with a spiritual dimension. 

Parasocial manifests physically the virtual, illusory, fantastic, and immaterial aspects of these relationships, featuring artists addressing the phenomenon and impacts of parasocial interaction as components of a physical outdoor installation and performance.

featuring: Danny Escalante, Maya Gurantz, Elizabeth Huey, Sarah Judd, David Otis Johnson, Semi-Tropic Spiritualists // Astri Swendsrud and Quinn Gomez-Heitzeberg

from left: Glass Cock, David Otis Johnson, installation view of Parasocial at OPaF, Maya Gurantz performance

photo credits: David Otis Johnson, Jane O’Neill, Maya Gurantz

House Beautiful, 2012, San Gabriel, CA

Set in a 1956 ranch style home on a cul-de-sac in the San Gabriel Valley, House Beautiful operated as both a celebration and critique of suburban culture in America. Featuring work by 25 New York and Los Angeles-base artists, paintings, photographs, films and site-specific installations were presented alongside home solutions, imagining a contemporary art collection within a middle-class suburban home. Themes of class, consumerism, domesticity, nostalgia, design, and the future of dwelling were addressed within the intimacy of a home constructed during a time of optimism and prosperity in America.

artists: Jamie Allen, Caitlin Bermingham, Maggie Butler, Elaine Chow, Jill Daves, John Delk, Paul Druecke, Terra Fuller, Alexa Gerrity, Sarah Hirzel, Janelle Keith, Lara Kohl, Joseph Maida, Christina Mazzalupo, Klea McKenna, Sarah McNulty, John Moran, Sarah Murrie, Nate Page, Faith Purvey, Kim Roenigk, Jessica Rohrer, Sarah Ruggieri, Colby Shaft, Noam Toran, Jennifer Kay Tyre, Harry Tyre

House Beautiful, 2012

from left: Noam Toran, Desire Management, installation view, Nate Page, untitled architectural intervention, installation view, Lara Kohl, inventory of things that landed in the yard. Top image: rainbow over installation site, photo credits: Jane O’Neill